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“I guess so. Teacher says every live thing that’s happy works; birds, flowers, children; that those that won’t work shouldn’t eat. He says the greatest joy is to do the work you like best as well as you can.” The eloquent teacher looked to see some immediate tangible effect from this bald statement of the result of Jonah’s disobedience, and during her recital gazed sternly on Pat Bliggins and Pete Stohway as objects the most in need of her oratory. Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother..
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Conrad
“No, we won’t!” came a dozen voices. “Sour’s licked me ’cause I’m a n-nigger, ’n gave T-Twinnies some f-flowers an’ walked with ’em. He’s back there now l-lickin’ the T-Twins.” “Sure. All the kids. But Clarence especially,—he’s my son, you know.” Billy grinned. The orchestra were tuning up, that delightful tilting at the notes that precedes the overture. To Moses were revealed such vistaed glimpses of trees and mountains and rivers as his young eyes had never seen. He saw nothing but the gorgeous scenery and the blaze of lights, and heard nothing but the booming of the drum in the overture. Then becoming more used to the glare and clamor, he cocked one eye aloft and saw youths of his own age eating peanuts in the gallery. It made his mouth water. He surveyed the obnoxious offenders however with the nonchalance of one who has already dined sumptuously. Outwardly Moses was an overgrown, freckle-faced, well-fed boy of commonplace propensities; inwardly he was a battery fully charged..
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